奈良酒巡礼 Nara Sake Journey
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Glossary

Glossary

The words you’ll meet along the way

Sake has its own vocabulary — precise words that a wine or craft-beer glossary doesn’t quite cover. Every term below appears somewhere in this tour’s four chapters. Look any of them up, in any order, whenever one sounds unfamiliar.

Chapter 1

The Origins of Sake

Terms from the shrine, the temple, and sake’s earliest chapter.

bō
boh
A sub-temple or monks' residence within a large temple complex — the unit used to count how many such communities a temple supported
bodaimoto
boh-DYE-moh-toh
A yeast starter cultivated with the help of naturally occurring lactic acid bacteria
Also in Ch. 2, Ch. 3
Dōmō Shuzōki
DOH-moh shoo-ZOH-kee
A 17th-century manual that recorded the same brewing techniques a bit later
Emperor Ichijō
ee-chee-JOH
The emperor who commissioned the founding of Shōryakuji in 992
Emperor Sujin
SOO-jin
A legendary early Japanese emperor, during whose reign the shrine’s sake origin legend is said to have taken place
Goshu no Nikki
GOH-shoo noh NEE-kee
A 14th–16th-century manual that recorded Shōryakuji's brewing techniques
hi-ire
hee-EE-reh
Pasteurization — heating the sake gently to stop spoilage, centuries before Pasteur
Also in Ch. 2
Jōzō Anzen Kigansai
joh-zoh AHN-zen kee-GAHN-sigh
Ōmiwa Jinja's annual festival (November 14) praying for a safe brewing season, when sugidama are handed out to breweries nationwide
koji
KOH-jee
The mold culture that does for rice what malting does for beer
Also in Ch. 2
morohaku
moh-roh-HAH-koo
Sake brewed with highly polished rice for both the koji and the steamed rice — a method that helped produce clear, stable sake
Mount Miwa
MEE-wah
The sacred mountain worshipped directly at Ōmiwa Jinja, long associated with sake brewing
Nanto Morohaku
nan-toh moh-roh-HAH-koo
The historic name for Nara-style refined sake, once the most celebrated in Japan
Ōmiwa Jinja
oh-MEE-wah JIN-jah
One of Japan's oldest shrines — with no main sanctuary, because Mount Miwa itself is worshipped as the god
Also in Ch. 3
Ōmononushi no Ōkami
oh-moh-noh-NOO-shee noh oh-KAH-mee
The deity enshrined at Ōmiwa Jinja — revered since mythic times as both the god of nation-building and the god of sake brewing
sandan jikomi
san-dan shee-KOH-mee
Building the mash in three stages rather than all at once, allowing greater control over fermentation
Shōryakuji
shoh-RYAH-koo-jee
The temple regarded as the birthplace of refined sake-brewing technique
Also in Ch. 2, Ch. 3
sōbōshu
soh-boh-shoo
Sake brewed by Buddhist monks within temple grounds
Also in Ch. 2
sugidama
soo-ghee-DAH-mah
A ball of cedar needles hung outside a brewery — a "new sake" sign that slowly changes color as the sake ages
Takahashi Ikuhi no Mikoto
tah-kah-HAH-shee noh ee-KOO-hee noh mee-KOH-toh
Revered as the founding ancestor of the toji craft — said to have brewed the sake that ended a plague in a single night
toji
TOH-jee
The brewery's master brewer — its winemaker

Chapter 2

The Brewing Process, and Each Brewery’s Character

Terms for water, rice, and the steps that turn both into sake.

bodaimoto
boh-DYE-moh-toh
A yeast starter cultivated with the help of naturally occurring lactic acid bacteria
Also in Ch. 1, Ch. 3
fukurozuri
foo-koo-roh-ZOO-ree
Letting sake drip freely from suspended cloth bags under its own weight, without mechanical pressure — sake’s equivalent of free-run wine juice
fukuryūsui
foo-koo-ryoo-SOO-ee
Underground spring water that wells up naturally in a well — the water source at Gojo Shuzo, located at the foot of Mt. Kongō
Also in Ch. 3
fune shibori
FOO-neh shee-BOH-ree
Pressing the mash in a traditional wooden trough — a method comparable to pressing wine
ginjo
GIN-joh
A sake category defined by the use of highly polished rice. As explained in Chapter 2, the more the rice is polished, the lighter and more fragrant the sake tends to be.
Also in Ch. 3, Ch. 4
Gohyakumangoku
goh-hyah-koo-mahn-GOH-koo
A major sake rice variety known for clean, full-bodied, rich flavors
hi-ire
hee-EE-reh
Pasteurization — heating the sake gently to stop spoilage, centuries before Pasteur
Also in Ch. 1
koji
KOH-jee
The mold culture that does for rice what malting does for beer
Also in Ch. 1
koshiki
KOH-shee-kee
The traditional steamer used to cook the rice before brewing
Miyama Nishiki
mee-yah-mah nee-SHEE-kee
A major sake rice variety that dissolves slowly during fermentation, producing gentle flavors
moromi
moh-ROH-mee
The fermenting mash of rice, koji and water that becomes sake
Mt. Kongō
kohn-GOH
The mountain at whose foot Gojo Shuzo sits — its cold winter winds are part of the brewery's environment
Also in Ch. 3
Myōrakuji
myoh-RAH-koo-jee
The Buddhist temple that once stood where Tanzan Jinja stands today, once celebrated for its own Tōnomine-shu sake
namazake
nah-mah-ZAH-keh
Sake bottled without pasteurization preserving its fresh, vibrant character
nanatsuyu
nah-nah-TSOO-yoo
A newer sake rice variety developed in Nara, used by Ueda Shuzo
Also in Ch. 3
seimai
SAY-my
Polishing away the outer layer of the rice grain before brewing
seimai buai
say-my boo-AH-ee
The percentage of the original rice grain left after polishing — the lower the number, the more was polished away, and the cleaner and more refined the flavor tends to be
shokuyōmai
shoh-koo-YOH-my
Rice grown for everyday meals rather than specifically for sake — the contrast to shuzō kōteki mai; used by Gojo Shuzo for its Kinuhikari-based sake
Shōryakuji
shoh-RYAH-koo-jee
The temple regarded as the birthplace of refined sake-brewing technique
Also in Ch. 1, Ch. 3
shubo
SHOO-boh
The starter culture that kick-starts full fermentation
Also in Ch. 4
shuzō kōteki mai
shoo-zoh koh-TEH-kee my
Rice varieties specially bred for sake brewing rather than eating — sake's answer to a wine grape varietal
sōbōshu
soh-boh-shoo
Sake brewed by Buddhist monks within temple grounds
Also in Ch. 1
Tanzan Jinja
TAHN-zahn JIN-jah
A Sakurai shrine built on the site of the former Myōrakuji temple; its Tōnomine hills supply Nishiuchi Shuzo's well water
Also in Ch. 3
Tōnomine
toh-noh-MEE-neh
The hills around Tanzan Jinja, and the source of Nishiuchi Shuzo's well water
Tōnomine-shu
toh-noh-MEE-neh-shoo
A historic sake once brewed at Myōrakuji, said to have rivaled Shōryakuji's own sōbōshu
tsuyuhakaze
tsoo-yoo-hah-KAH-zeh
A sake rice variety developed in Nara, used by Gojo Shuzo but not all the breweries on the tour
Also in Ch. 3
Yamada Nishiki
yah-mah-dah nee-SHEE-kee
One of Japan's three major sake rice varieties, renowned nationwide for producing clean, refined ginjo sake
Yatagarasu
yah-tah-GAH-rah-soo
The three-legged crow of Japanese mythology, a guiding deity linked to the Yoshino and Kumano region — the namesake of Kitaoka Honten's Yatagarasu sake line

Chapter 3

Six Breweries

Terms for the techniques and signatures that set each brewery apart.

aragoshi
ah-rah-GOH-shee
A coarsely-filtered, cloudy style of sake that leaves more rice sediment in the bottle — Umenoyado's take on natural-style nigori
bodaimoto
boh-DYE-moh-toh
A yeast starter cultivated with the help of naturally occurring lactic acid bacteria
Also in Ch. 1, Ch. 2
dobu
DOH-boo
A shorthand for doburoku — a coarse, cloudy, unfiltered sake; the base of Kubo Honke’s kimoto-brewed “Kimoto no Dobu”
fukuryūsui
foo-koo-ryoo-SOO-ee
Underground spring water that wells up naturally in a well — the water source at Gojo Shuzo, located at the foot of Mt. Kongō
Also in Ch. 2
ginjo
GIN-joh
A sake category defined by the use of highly polished rice. As explained in Chapter 2, the more the rice is polished, the lighter and more fragrant the sake tends to be.
Also in Ch. 2, Ch. 4
kanzen hakkō
kahn-zen hah-KOH
Fermenting until almost all the sugar has been consumed — Kubo Honke’s philosophy behind its bone-dry, crisp sake
Also in Ch. 4
kijōshu
kee-JOH-shoo
Sake brewed using sake itself in place of some of the brewing water. Rich and dessert-wine-like, it can be compared to sweet wines such as Sauternes or an ice wine. The base technique behind Nishiuchi Shuzo’s ruijōshu; suited to aperitifs and dessert
Also in Ch. 4
kimoto
kee-MOH-toh
A traditional, labor-intensive starter method that encourages naturally occurring lactic acid bacteria to develop, rather than adding lactic acid directly. Often pairs well with game and rich meats. Used by Kubo Honke (Uda)
Also in Ch. 4
Mt. Kongō
kohn-GOH
The mountain at whose foot Gojo Shuzo sits — its cold winter winds are part of the brewery's environment
Also in Ch. 2
nanatsuyu
nah-nah-TSOO-yoo
A newer sake rice variety developed in Nara, used by Ueda Shuzo
Also in Ch. 2
Ōmiwa Jinja
oh-MEE-wah JIN-jah
One of Japan's oldest shrines — with no main sanctuary, because Mount Miwa itself is worshipped as the god
Also in Ch. 1
ruijōshu
roo-ee-JOH-shoo
Nishiuchi Shuzo's own technique: taking kijōshu one step further by using it, in turn, as the brewing water for another batch
Also in Ch. 4
sasayuri
sah-sah-YOO-ree
A wild lily native to Japan's mountain woodlands — the Yama no Kami kobo yeast was isolated from sasayuri growing on the grounds of Ōmiwa Jinja
Shōryakuji
shoh-RYAH-koo-jee
The temple regarded as the birthplace of refined sake-brewing technique
Also in Ch. 1, Ch. 2
Tanzan Jinja
TAHN-zahn JIN-jah
A Sakurai shrine built on the site of the former Myōrakuji temple; its Tōnomine hills supply Nishiuchi Shuzo's well water
Also in Ch. 2
tsuyuhakaze
tsoo-yoo-hah-KAH-zeh
A sake rice variety developed in Nara, used by Gojo Shuzo but not all the breweries on the tour
Also in Ch. 2
Yama no Kami kobo
yah-mah-noh-KAH-mee KOH-boh
A yeast strain unique to Nara Prefecture, isolated from wild lilies growing on the grounds of Ōmiwa Jinja
Yoshino-Kumano National Park
yoh-SHEE-noh koo-MAH-noh
One of Japan's oldest national parks, covering the mountains and coastline of the central-to-southern Kii Peninsula — Kitaoka Honten's brewery sits right at its edge

Chapter 4

Pairing Food and Sake

Terms for tasting, style, and reading a sake label.

ginjo
GIN-joh
A sake category defined by the use of highly polished rice. As explained in Chapter 2, the more the rice is polished, the lighter and more fragrant the sake tends to be.
Also in Ch. 2, Ch. 3
jukushu
JOO-koo-shoo
The SSI classification for sake with the deep character of age
junshu
JOON-shoo
The SSI classification for rich, umami-forward sake
kanzen hakkō
kahn-zen hah-KOH
Fermenting until almost all the sugar has been consumed — Kubo Honke’s philosophy behind its bone-dry, crisp sake
Also in Ch. 3
kijōshu
kee-JOH-shoo
Sake brewed using sake itself in place of some of the brewing water. Rich and dessert-wine-like, it can be compared to sweet wines such as Sauternes or an ice wine. The base technique behind Nishiuchi Shuzo’s ruijōshu; suited to aperitifs and dessert
Also in Ch. 3
kimoto
kee-MOH-toh
A traditional, labor-intensive starter method that encourages naturally occurring lactic acid bacteria to develop, rather than adding lactic acid directly. Often pairs well with game and rich meats. Used by Kubo Honke (Uda)
Also in Ch. 3
koshu
KOH-shoo
Sake deliberately aged until it turns amber and develops caramel, nut and dried-fruit notes — sake's answer to a sherry or aged whisky
kunshu
KOON-shoo
The SSI classification for fragrant, aromatic sake
Nihonshu-do
nee-HOHN-shoo-doh
Sake Meter Value (SMV) — a figure printed on a sake label indicates the balance between dry and sweet. It is based on specific gravity: the higher the positive value, the drier the sake: the more negative the value, the sweeter the sake. This term is also used by U.S. sake retailers such as True Sake and Tippsy Sake; in Japanese it’s also called Nihonshu-do
ruijōshu
roo-ee-JOH-shoo
Nishiuchi Shuzo's own technique: taking kijōshu one step further by using it, in turn, as the brewing water for another batch
Also in Ch. 3
sando
SAHN-doh
Acidity Level — the number printed on a sake label showing the concentration of organic acids (lactic, malic, and others) it carries. The average runs around 1.3; below 1.0 reads soft and light, above 1.5 reads crisp and structured. A different, bottle-level measure from the sake-vs-wine acidity comparison (g/100ml) used earlier in Chapter 4
shubo
SHOO-boh
The starter culture that kick-starts full fermentation
Also in Ch. 2
sōshu
SOH-shoo
The SSI (Sake Service Institute) classification for light, easy-drinking sake — presented to readers as "the light, easy-drinking sake," with sōshu as its technical name
yamahai
yah-mah-HYE
A traditional sake brewing method that, like kimoto, relies on naturally occurring lactic acid bacteria rather than directly adding lactic acid. Grouped with kimoto in the “Rich & Umami” flavor category